Pair statue of Ptahkhenuwy and his wife

A Christogenea commentary On the Gospel of John is now in progress. Many passages simply do not say what the modern churches think they mean! Don't miss this important and ground-breaking work proving that Christian Identity is indeed fully supported by Scripture.

Don't miss our ongoing series of podcasts The Protocols of Satan, which presents many historical proofs that the infamous Protocols of the Learned Elders of Zion are real, and that they have been fulfilled in history by the very same people who dispute their authenticity. Our companion series, The Jews in Medieval Europe, helps to explain how the Protocols have been fulfilled.

 Our recent Pragmatic Genesis series explains the Bible from a Christian Identity perspective which reconciles both Old and New Testaments with history and the political and social realities facing the Christian people of Yahweh God today.

A Commentary on the Epistles of Paul has recently been completed at Christogenea.org. This lengthy and in-depth series reveals the true Paul as an apostle of God, a prophet in his own right, and the first teacher of what we call Christian Identity.

Don't miss our recently-completed series of commentaries on the Minor Prophets of the Bible, which has also been used as a vehicle to prove the historicity of the Bible as well as the Provenance of God.

Visit Clifton Emahiser's Watchman's Teaching Ministries at Christogenea.org for his many foundational Christian Identity studies.

Visit the Mein Kampf Project at Christogenea.org and learn the truth concerning some of the most-lied about events in history.

Christogenea Books: Christian Truths in Black and White!
Visit our store at Christogenea.com.

Pair statue of Ptahkhenuwy and his wife
Egyptian, Old Kingdom, Dynasty 5, 2465–2323 B.C.
Findspot: Giza, Egypt
Height: 70.14 cm (27 5/8 in.)
Painted limestone
Classification: Sculpture
Accession number: 06.1876
Harvard University—Boston Museum of Fine Arts Expedition

Private sculpture of the Old Kingdom copied royal sculpture: the poses, youthful body forms, and the wife's embrace of the husband in this private sculpture is the same as those of King Menkaura and his queen in their dyad. The man here is identified by an inscription painted on the base in black paint as Ptahkhenwy, supervisor of palace retainers. He stands with his left leg forward in the traditional male pose, and his partner, her name no longer legible in the inscription and identified now only as "his wife whom he loved," stands beside him with both feet together.

© 2010 Museum of Fine Arts, Boston